| 20世纪的唐宋诗之争及宋诗特征研究 |
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| 引用本文： | 张毅.20世纪的唐宋诗之争及宋诗特征研究[J].淮阴师范学院学报(哲学社会科学版),2002,24(2):210-218. |
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| 作者姓名： | 张毅 |
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| 作者单位： | 南开大学,文学院,天津,300071 |
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| 摘 要： | 20世纪初,“同光体”与“南社”的宗宋,崇唐之争,是规模唐音或宋调的旧体诗创作的绝响,也是现代宋诗研究的起点,受新学运动的影响,现代学对于宋诗的评价长期偏低,并为唐,宋诗优劣论所困,到80年代后,人们方逐渐摆脱成见束缚,对宋诗特征及其艺术特质进行了更深入,更全面的探讨。
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| 关 键 词： | 唐宋诗之争 唐诗 宋诗 诗歌史 |
| 文章编号： | 1007-8444(2002)02-0210-09 |
| 修稿时间： | 2001年11月15 |
The Competition between Tang Poetry and Song Poetry and the Study of the Characteristics of Song Poetry in the 20 Century |
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| ZHANG Yi.The Competition between Tang Poetry and Song Poetry and the Study of the Characteristics of Song Poetry in the 20 Century[J].Journal of Huaiyin Teachers College(Social Sciences Edition),2002,24(2):210-218. |
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| Authors: | ZHANG Yi |
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| Abstract: | At the beginning of the 20 century, the competition between Tang poetry and Song poetry preferred respectively by the "Tong Guang style" and "NanShe" is an unprecedented event of the poetry writing in old styles and also the starting point of modern study of Song Poetry. The New Literature Movement led to long low appraisals by contemporary scholars strained in the dispute over the superiority of Tang poetry to Song poetry. It was after the 1980s that there was deeper and more comprehensive explorations for the artistic characteristics of Song poetry. |
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| Keywords: | the competition between Tang poetry and Song poetry Tang poetry Song poetry the history of Song poetry |
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