| 一编在手元曲通融--论《全元曲》编撰体例的创新 |
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| 引用本文： | 田同旭.一编在手元曲通融--论《全元曲》编撰体例的创新[J].沧州师专学报,2003,19(4):9-12. |
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| 作者姓名： | 田同旭 |
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| 作者单位： | 山西大学文学院,山西,太原,030006 |
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| 摘 要： | 十二卷校注本《全元曲》是一部填补我国文学史一大空白的文化工程，其编撰体例富有创意，融作家评介、曲文校注、本事考证、版本著录于一体，突破了《全唐诗》、(《全宋词》仅以汇集校勘作家作品的体例，既可用于专家学者的学术研究，也可用于普通读者的阅读欣赏，既高深又普及，达到了一编在手元曲通融的目的，表现出二十世纪古籍整理的胸怀气魄与时代特色。
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| 关 键 词： | 《全元曲》 编撰体例 古籍 书评 治学精神 |
| 文章编号： | 1008-4762(2003)04-0009-04 |
| 修稿时间： | 2003年9月6日 |
A Version in hand, The Whole Yuan Qu Through |
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| TIAN Tong-xu.A Version in hand, The Whole Yuan Qu Through[J].Journal of Cangzhou Teachers‘College,2003,19(4):9-12. |
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| Authors: | TIAN Tong-xu |
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| Abstract: | The twelve-volume Whole Yuan Qu with footnotes is not only a cultural project filling the emptiness of the Chinese literature, but also the works full of initiative editorial examples, the comments by writers, footnotes, evidence of facts and different versions. It surpasses the Whole Tang Poems, the Whole Song Ci in that it collects the examples provided by the writers which can be used both for research studies and for the appreciation of ordinary readers. With these deep and common features, it has achieved the goal that with one version in hand, you will get a good understanding of the Whole Yuan Qu. The compiling this book reveals the contemporary features with the magnificence of editing in the 20th century. |
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| Keywords: | cultural project editorial examples contemporary features |
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