| 红山文化玉龙 |
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| 引用本文： | 索秀芬,李少兵.红山文化玉龙[J].内蒙古师范大学学报(哲学社会科学版),2010,39(5):61-64. |
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| 作者姓名： | 索秀芬 李少兵 |
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| 作者单位： | [1]内蒙古文物考古研究所,内蒙古呼和浩特010011 [2]内蒙古师范大学历史文化学院,内蒙古呼和浩特010022 |
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| 摘 要： | 红山文化玉龙发现数量较多,分为兽首龙、猪首龙和鸟首龙。红山文化玉龙造型为昂首、弯背、卷尾,整体大致呈圆形,首尾相接或相对。首尾相连者呈环形;首尾之间有小缺口者呈？形;首尾之间缺口较大者呈＂C＂字形。使用方法是吊挂在巫师胸前。玉龙是想象的灵物,是被崇拜和祭祀的对象,是巫师通天地的法器之一。通过玉龙通天达地,达到人与神的沟通,以实现人们祈祷的目的。
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| 关 键 词： | 红山文化 玉龙 类型 特征 用途 |
Jade Dragons in Hongshan Culture |
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| SUO Xiufen,Li Shaobing.Jade Dragons in Hongshan Culture[J].Journal of Inner Mongolia Normal University (Philosophy & Social Science),2010,39(5):61-64. |
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| Authors: | SUO Xiufen Li Shaobing |
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| Institution: | 1.Cultural Relics and Archeology Research Institute of Inner Mongolia,Hohhot,Inner Mongolia,China 010011;2.College of History and Culture,Inner Mongolia Normal University,Hohhot,Inner Mongolia,China 010022) |
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| Abstract: | Jade Dragons in Hongshan Culture are great in number,including beast-headed,pig-headed and bird-headed dragons.Their heads are high raising,backs bending and tails curled,and they are in a circular form in general.Those with the head and the tail connected to each other are in a ring or in a penannular ring,while those with an opening between the head and the tail are in a＂C＂ shape.They are hung around a sorcerer＇s neck.Jade dragons are imaginary,and are worshiped and sacrificed.They are musical instruments used in worship for sorcerers to come in contact with heaven and earth so that man and god can communicate with each other and therefore,to realize what people have prayed for. |
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| Keywords: | Hongshan Culture Jade Dragon types features usage |
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