| 论海德格尔艺术哲学“真我”观的三大特征 |
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| 引用本文： | 郝文杰.论海德格尔艺术哲学“真我”观的三大特征[J].大连大学学报,2006,27(3):60-63. |
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| 作者姓名： | 郝文杰 |
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| 作者单位： | 大连大学,美术学院,辽宁,大连,116622 |
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| 摘 要： | 海德格尔在深刻洞明人类生存的状态后,发现艺术乃是人类的栖居空间之一。而作为真正作品的产生,同时亦是创作者自我最本己能在之显露。在海氏看来,这一创作者既要摆脱掉近现代个体存在者孤独的病症,又要超越平均的日常生活状态。而先行到死则是创作者自我达到最真实存在的可能与境界。概言之,海德格尔在《存在与时间》中对真我论的三大特征可归为:脱离孤独;超越沉沦;先行到死。
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| 关 键 词： | 真我 孤独 沉沦 死 |
| 文章编号： | 1008-2395（2006）03-0060-04 |
| 收稿时间： | 2005-09-07 |
| 修稿时间： | 2005年9月7日 |
On three features of id in Heidegger's artistic philosophy |
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| HAO Wen-jie.On three features of id in Heidegger''''s artistic philosophy[J].Journal of Dalian University,2006,27(3):60-63. |
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| Authors: | HAO Wen-jie |
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| Abstract: | After fully understanding human existence state, Heidegger discovers that art is the living space for mankind.The creation of real works is also a manifestation of creator's own ability.In Heidegger's view,not only does the creator have to shake off the autism as individuals in modern times,but also surpass the average state of daily life.To experience the death first is the possibility for the creator to reach the truest existence.In a word,Heidegger,in Existence and Reality,points out that the id possesses three features: shaking off solitude,transcending degradation,and experiencing the death first. |
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| Keywords: | solitude degradation death |
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