| 明代文学史书写三论 |
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| 引用本文： | 魏宏远.明代文学史书写三论[J].湖南第一师范学报,2011,11(5):79-83. |
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| 作者姓名： | 魏宏远 |
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| 作者单位： | 兰州大学文学院,甘肃兰州,730000 |
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| 基金项目： | 国家社科基金项目(10CZW030); 教育部人文社会科学研究项目(09YJC751039) |
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| 摘 要： | 自上世纪中叶起，明代文学史的书写逐渐摆脱钱基博、宋佩韦《明文学史》的写作模式，形成新的格局：（1）受“白话文运动”的影响而重小说、戏曲，轻诗文，追逐“纯文学”的写作；（2）视复古为摹拟剽窃，将七子派复古的目的和手段错位；（3）形成“复古与反复古”、“格调-性灵-神韵”的写作模式。因进化论文学史观的引入而使明代文学史的书写呈现出“西化”的倾向。
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| 关 键 词： | 进化论 文学史观 复古 反复古 |
On Ming Dynasty Literary History Writing |
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| WEI Hong-yuan.On Ming Dynasty Literary History Writing[J].Journal of First Teachers College of Hunan,2011,11(5):79-83. |
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| Authors: | WEI Hong-yuan |
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| Institution: | WEI Hong-yuan(School of Literature,Lanzhou University,Lanzhou,Gansu 730000) |
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| Abstract: | Since the middle of the 20th century,the writing of literary history of Ming Dynasty has been gradually shaking off the writing mode set by Qian Jibo and Song Peiwei and formed a new pattern: firstly,stressing on fictions and traditional Chinese opera,advocating writing literature for literature's sake under the influence of Vernacular Movement;secondly,taking modeling the ancient as plagiarizing,malpositioning the aim and way of writing of Seven Celebrities;thirdly,forming a new writing pattern of modeling... |
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| Keywords: | evolutionary theory view on the literary history modeling ancient and anti-modeling ancient |
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