| 论近代戏曲批评观念的嬗变轨迹 |
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| 引用本文： | 李占鹏.论近代戏曲批评观念的嬗变轨迹[J].西北师大学报,2007,44(6):96-100. |
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| 作者姓名： | 李占鹏 |
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| 作者单位： | 西北师范大学文学院,甘肃兰州730070 |
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| 摘 要： | 近代戏曲批评是中国戏曲批评史上的一个重要阶段，它不仅比较全面地继承了中国古代戏曲学的进步思想和科学方法，而且以迥异于往昔的崭新视角观照、阐释中国传统戏曲；既对中国古代戏曲学的论述、著录进行了肯綮评价与充分总结，又对近现代戏曲学的启动、构建给予了积极思考与主动尝试；还自觉将中国传统戏曲置于亲身感受过的世界戏剧文化氛围，为现当代戏曲批评的发展壮大开辟了无与伦比的广阔道路。
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| 关 键 词： | 近代戏曲 批评观念 嬗变轨迹 |
| 文章编号： | 1001-9162（2007）05-0096-05 |
| 修稿时间： | 2006-09-12 |
On a Change of Critical Concept of Modern Chinese Opera and Its Development Track |
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| LI Zhan-peng.On a Change of Critical Concept of Modern Chinese Opera and Its Development Track[J].Journal of the Northwest Normal University(Social Sciences),2007,44(6):96-100. |
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| Authors: | LI Zhan-peng |
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| Institution: | College of Literature, Northwest Normal University, Lanzhou, Gansu, 730070, PRC |
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| Abstract: | Criticism of modern Chinese opera played an important role in the history of Chinese opera criticism. It not only summarized the ideas and works of ancient Chinese opera, but also tried to construct the theory of modern Chinese opera; It also discussed the traditional Chinese opera under the background of culture of world opera. |
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| Keywords: | modern Chinese opera critical concept development track |
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