| 论"混血儿"红牡丹的文化审美意蕴 |
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| 引用本文： | 吴毓鸣.论"混血儿"红牡丹的文化审美意蕴[J].泉州师范学院学报,2006,24(3):121-125. |
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| 作者姓名： | 吴毓鸣 |
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| 作者单位： | 福建工程学院,福建,福州,350007 |
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| 摘 要： | 林语堂笔下的红牡丹是清末女子,却上演了思想解放、情欲自由的现代戏。她是作者将现代西方文化和中国道家哲学融会贯通催生的“混血儿”。在她身上,返朴归真的哲学意识和离经叛道的女性意识相互渗透,蕴涵着关于女性未来发展趋向的启迪。
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| 关 键 词： | 红牡丹 文化寻根 女性意识 阴阳和谐 |
| 文章编号： | 1009-8224(2006)03-0121-05 |
| 收稿时间： | 02 6 2006 12:00AM |
| 修稿时间： | 2006年2月6日 |
On the Connotation of Cultural Aesthetics of Halfbreed Red Peony |
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| WU Yu-ming.On the Connotation of Cultural Aesthetics of Halfbreed Red Peony[J].Journal of Quanzhou Normal College,2006,24(3):121-125. |
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| Authors: | WU Yu-ming |
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| Abstract: | The Red Peony in Lin Yutang's book is a lady living in the late Qing Dynasty;however,she puts on a modern play of thought liberation and sex freedom.Being a half-breed created by the writer,she assimilates contemporary western cultural and Chinese Taoist philosophy.From her,we see the integration of philosophical consciousness of returning and woman's awareness of eccentricity,which is enlightening the trend of woman's future. |
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| Keywords: | Red Peony cultural tracing-back woman's awareness harmony of Yin and Yang |
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