| 论嵇康音乐艺术理论的美学意义 |
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| 引用本文： | 施荣华.论嵇康音乐艺术理论的美学意义[J].云南师范大学学报(哲学社会科学版),2001,33(3):49-53. |
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| 作者姓名： | 施荣华 |
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| 作者单位： | 云南师范大学艺术学院, |
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| 摘 要： | 本文以现代美学作为审视角度，梳理与研究了嵇康的音乐艺术思想。论文认为，嵇康的《声无哀乐论》集中地表现了魏晋时期音乐艺术美学思想，由传统儒家功利实用审美态度转向崇尚自然，注重个人内心情感体验，以及尊重音乐艺术自身特殊规律的审美倾向。本文共分四部分，即嵇康的艺术人生倾向；《声无哀乐论》与养生论；以“心”为乐之体，以“声”为乐之“用”；“曲变虽众，亦大同于和。”
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| 关 键 词： | 嵇康 音乐艺术理论 《声无哀乐论》 养生论 和 和声无象 音声无常 自然之和 |
| 文章编号： | 1000-5110(2001)03-0049-05 |
| 修稿时间： | 2000年11月24 |
On the aesthetics significance of Ji Kang's music and art theory |
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| SHI Rong-hua.On the aesthetics significance of Ji Kang''''s music and art theory[J].Journal of Yunnan Normal University(Philosophy and Social Sciences Edition),2001,33(3):49-53. |
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| Authors: | SHI Rong-hua |
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| Abstract: | This article takes modern aesthetics as its examining angle and closely studies Ji Kang's music and art thought. This dissertation reckons that Ji Kang' s “On Sound Itself Has No Bitterness and Happiness” concentratively displays aesthetics thought of music and art during the period of Wei and Jin Dynasties. It shifts the aesthetic attitude from traditional utilitarianism and pragmatism of the Confucianists to the experienc e of respecting the special rules of music and art. The article is divided into four parts, that is, Ji Kang's tendency of art career;“On Sound Itself Has No Bitterness and Happiness” and On keeping in Cood Health; The music based on the subjective view of appreciator and Sound is not the main part of music; The essence of Multitudinous and numerous music and songs are the same. |
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| Keywords: | i Kang on sound itself has no bitterness and happiness on keeping in good health harmony harmonious sound is not fixed sound is various pursuit natural harmony music and Art theory |
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