| 演唱民族声乐作品时的情感运用 |
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| 引用本文： | 黄振华.演唱民族声乐作品时的情感运用[J].沈阳教育学院学报,2009,11(4):96-98. |
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| 作者姓名： | 黄振华 |
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| 作者单位： | 沈阳音乐学院,民族声乐教育系,辽宁,沈阳,110168 |
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| 摘 要： | 阐述了情感表现的最高境界是“歌随心动”；论述了歌唱者要达此境界的条件和方法；指出歌唱者不仅仅要具备演唱民族声乐的天赋——好嗓子，更重要的是具有较高地分析和理解作品的能力、较高的音乐素养、丰富的情感和丰富的想象力，对作品能进行二度创作，使自己的情感与作品的内容有机结合。只有这样，演唱才能声情并茂，感动听者，将听者完全融入音乐中。
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| 关 键 词： | 以情带声 字正腔圆 情感 |
The Application of Emotion in Singing Folk Vocal Works |
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| HUANG Zhen-hua.The Application of Emotion in Singing Folk Vocal Works[J].Journal of Shenyang College of Education,2009,11(4):96-98. |
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| Authors: | HUANG Zhen-hua |
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| Institution: | HUANG Zhen-hua (Department of Folk Vocal Education, Shenyang Conservatory of Music, Shenyang 110168, China) |
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| Abstract: | It is clarified that the highest state of emotional expression is “songs move with heart”. The conditions and methods for the singers to reach the state are discussed. It is pointed out that singers should not only have the talent to sing folk vocal music which is called good throat, what＇s more, they should capture high music literacy, rich emotion and imagination as well as the ability to analyze and understand the works, and could recreate the works and integrate their own emotion with the contents of the works to make the singing extremely rich and moving to attract the listeners completely. |
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| Keywords: | sound influnced by emotion clear pronunciation and mellow voice emotion |
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