| 论17年历史剧创作中女性话语的形态与特征 |
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| 引用本文： | 温潘亚.论17年历史剧创作中女性话语的形态与特征[J].南京师范大学文学院学报,2009(1). |
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| 作者姓名： | 温潘亚 |
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| 作者单位： | 盐城师范学院,中文系,江苏,盐城,224002 |
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| 基金项目： | 中国第40批博士后科学基金，江苏省博士后科研资助汁划项目，江苏省教育厅哲学社会科学基金指导项目 |
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| 摘 要： | 建国后17年间的历史剧创作对女性意识的建构和女性话语的言说是由男性史剧家们代言并完成的,这其实就是来自中国古代文人的拟代女性写作传统.男性史剧家们通过历史女性形象曲折隐晦地表白自己在意识形态上的归属和对政治文化权威的臣服,并以之演绎各种流行的政治理念.历史剧呈现出一种双声话语的不协调状态,共同的"类"的特征遮蔽了女性的自然特征,使得对历史女性形象的刻划有明显的公式化与符号化倾向,包括对爱情题材的表现.只有少数史剧家尊重并赋予女性历史人物形象以自己的意识与声音,但较之20、30年代史剧中女性以叛逆姿态的隆重登场,17年间历史剧在女性意识与女性话语的建构上无疑构成了一种断裂.
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| 关 键 词： | 17年历史剧"拟代女性写作" 双声话语 |
On Form and Feature of the Language of Female Characters in the Writing of Historical Plays in 17 Years |
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| Wen Panya.On Form and Feature of the Language of Female Characters in the Writing of Historical Plays in 17 Years[J].Journal of Chinese Language and Culture School Nanjing Normal University,2009(1). |
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| Authors: | Wen Panya |
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| Abstract: | In the 17 years after the founding of our republic,the construction of female consciousness and language of female characters in the writing of historical plays was completed by male writers.It came from the Chinese writing tradition of the male writer representing the female characters.In portraying the historical female images,the male play writer expressed the consciousness of affiliation and the allegiance to political and cultural power in an indistinct way,and added some popular political ideas.The hi... |
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| Keywords: | historical plays in 17 years replace female character to write their words double-voiced utterance |
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