| 论《乐记》"气"范畴的美学内涵 |
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| 引用本文： | 王琴.论《乐记》"气"范畴的美学内涵[J].五邑大学学报(社会科学版),2004,6(2):33-36. |
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| 作者姓名： | 王琴 |
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| 作者单位： | 海南大学,文学院,海南,海口,570228 |
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| 摘 要： | “气”作为完全意义上的文艺美学范畴首次出现于《乐记》。“气”被用来解释乐的生成、乐的政治工具性、乐的功能性，其美学内涵的形成涉及到中国古代哲学、巫术活动及“乐”的理念等各个方面。《乐记》中乐“气”范畴的理论成型对中国传统文艺美学思想的发展影响深远。
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| 关 键 词： | 《乐记》 乐 气 美学范畴 |
| 文章编号： | 1009-1513(2004)02-0033-04 |
| 修稿时间： | 2003年8月6日 |
On the Aesthetic Connotation of the Category "Qi" in The Record of Music |
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| WANG Qin.On the Aesthetic Connotation of the Category "Qi" in The Record of Music[J].Journal of Wuyi University(Social Sciences Edition),2004,6(2):33-36. |
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| Authors: | WANG Qin |
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| Abstract: | "Qi" as a formal artistic category appeared first in The Record of Music. "Qi" was used to explain the production, political instrumentality and function of music. Ancient Chinese philosophy, witchcraft and ideas about music all contributed to the formation of its aesthetic connotation. The theoretical formation of qi has had far-reaching significance to traditional Chinese aesthetic thinking. |
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| Keywords: | The Record of Music music "qi" aesthetic category |
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