| 论《斯人记》的叙述策略 |
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| 引用本文： | 燕世超.论《斯人记》的叙述策略[J].池州师专学报,2011(1):14-17,23. |
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| 作者姓名： | 燕世超 |
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| 作者单位： | 汕头大学文学院; |
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| 基金项目： | 国家社科基金项目“张恨水年谱”(10BZW091); 安徽省社科规划项目“张恨水年谱长编”(AHSK07-08D117) |
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| 摘 要： | 《斯人记》的叙述策略主要表现在：全知叙述与限知叙述的相互转换使叙述灵活自如,叙述者化身为作品中的人物产生身临其境之感,话语模式与对话艺术的衔接产生较强的语言张力,叙述频率与和合律的设置进一步深化了文本主题。这种叙述策略来自对前人小说和戏剧、电影艺术的借鉴,又有作者的独创和时代的原因。
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| 关 键 词： | 叙述策略 叙述者 话语模式 叙述频率 和合律 |
On Narrative Strategy of Sirenji |
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| Yan Shichao.On Narrative Strategy of Sirenji[J].Journal of Chizhou Teachers College,2011(1):14-17,23. |
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| Authors: | Yan Shichao |
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| Institution: | Yan Shichao(College of Arts,Shantou University,Shantou,Guangdong 515063) |
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| Abstract: | The narrative strategy of Sirenji mainly includes the following: The interchange of omniscience narration and limited narration makes the narration flexible;the narrator is incarnated as a character in the novels creates the sense of being personally on the scene;linking of discourse model and dialogue art produces language tension;the set of narrative frequency and concordance deepens the theme of the text.Reference of former novels,play and cinematographic art,and author's unique creation and contribute a... |
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| Keywords: | Narrative Strategy Narrator Discourse Model Narrative Frequency Concordance Law |
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