| 从女性创世神话走出的《女神》--《女神》与日本文化 |
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| 引用本文： | 蔡震.从女性创世神话走出的《女神》--《女神》与日本文化[J].钦州学院学报,2005,20(3):5-11. |
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| 作者姓名： | 蔡震 |
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| 作者单位： | 中国社会科学院,郭沫若纪念馆,北京,100009 |
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| 摘 要： | 郭沫若的新诗集<女神>从问世起,就在受到西方文化影响的意义上被解读着,它所由诞生之地的日本的文化背景却一直被忽略了.然而,<女神>的文本,可以说是建立在一个再创世神话的叙述框架内."女神"与"太阳"的意象,有力地表达了<女神>毁坏与创造的基本主题.这样的叙事方式和这两组意象的获得,更多的是诗人从日本传统文化中存留的创世神话系统及其传统文化语境中感悟到的.郭沫若<女神>时期的创作与日本文化有着诸多联系.
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| 关 键 词： | 郭沫若 |
| 文章编号： | 1008-5629(2005)03-0005-07 |
| 修稿时间： | 2005年5月4日 |
A Discussion on Odes To The Goddess Associated with Japanese Culture |
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| CAI Zhen.A Discussion on Odes To The Goddess Associated with Japanese Culture[J].Journal of Qinzhou University,2005,20(3):5-11. |
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| Authors: | CAI Zhen |
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| Abstract: | Since the time of publishing on, the poetry anthology of Odes To The Goddess written by Guo Mo-ruo has been interpreting upon the influence of the Western culture, but it had been ignored by the Japanese Culture, at where it was come into being. The text-material of the poetry was developed in the narrative shame of the Myth of the Recreation of the World to some extent. The paper suggests that the writing of the poetry had a close link with the Japanese culture, the images of "Goddess" and "Sun" had shown the basic themes of destruction and creation in the poetry, which had been inspired from the system of the Myth of Creation of the World in the Japanese culture and the context of its tradition. |
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| Keywords: | Guo Mo-ruo Odes To The Goddess Myth of Creation of the World Japanese culture |
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