| 浅谈戏曲的舞台时空 |
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| 引用本文： | 李明.浅谈戏曲的舞台时空[J].徐州教育学院学报,2005,20(1):115-116. |
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| 作者姓名： | 李明 |
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| 作者单位： | 江苏省梆子剧团，江苏徐州221006 |
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| 摘 要： | 章分析了戏曲舞台时空超越性的表现特征，指出它不仅是一种结构方法，同时也是一种演剧主张：它不是依靠舞台技术和制造现实的幻觉来吸引观众，而是依靠演员的表演来吸引观众，靠表演艺术创造舞台的一切。
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| 关 键 词： | 戏曲表演 舞台时空 超越性 |
| 文章编号： | 1008-6625(2005)01-0115-02 |
| 修稿时间： | 2005年1月20日 |
Performing Modern Life and Nimble Space and of Drama on Stage |
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| LI Ming.Performing Modern Life and Nimble Space and of Drama on Stage[J].Journal of Xuzhou Education College,2005,20(1):115-116. |
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| Authors: | LI Ming |
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| Abstract: | The article carries on the analysis to the transcendent performance characteristics of space and time of drama on stage and points out that it is not just a type of structure method and histrionic preposition. It depends not upon the stage technology and the creation of realistic illusion to attract the audience, but upon actor's performance and all the performing arts on stage. |
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| Keywords: | drama performance space and time on stage the translendence |
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