| Abstract: | In this paper, the authors trace the policy documents and legislation in Canada that have set, over the last twenty years, the context for ‘inclusion’ in Ontario's public schools. The authors then enliven this historical account of multicultural policy innovation by turning to a particular critical episode in a secondary classroom wherein they consider the pedagogical strategies of a teacher in a drama classroom who deftly navigates the unsettled terrain of race and power. Using a provocative monologue set in South Africa's apartheid, the teacher opens up a space for dialogue and whole‐group interaction with her class of Grade 11 (16‐ 17‐year‐old) students. Serving as an illustrative episode from a larger ethnographic study of four school sites (2 Canadian, 2 American), the analysis here, of one teacher's interactions with her students, and the students’ engagement with one another, points to many of the features of drama pedagogy that elucidate the study's broader interests in understanding the problems of social cohesion in richly diverse urban schools. In this discussion, the aims of inclusion and the possibilities of interactive pedagogy are clear, as are their limits, in the charged public space of an urban classroom. |
