| 默契造化 与道同机——中国传统哲学思想中的空间观念与中国古代山水画的空间构造 |
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| 引用本文： | 唐凤鸣.默契造化 与道同机——中国传统哲学思想中的空间观念与中国古代山水画的空间构造[J].郴州师范高等专科学校学报,2009(4):79-84. |
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| 作者姓名： | 唐凤鸣 |
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| 作者单位： | 湘南学院艺术设计系,湖南郴州423000 |
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| 摘 要： | 空间在美术中始终是一个重要的概念，不同的空间观会导致截然不同的关术观；中国山水画的空间处理，是以中国古代空间观为基础的，这种空间观念对中国画家产生了极大的影响，在中国画家眼里空间不仅仅是一种客观存在，而且与人的艺术情感相融相谐，主体融入客体，客体融入主体，从而达到人与自然相通、相合的状态，感受自然、生命、宇宙的交融；中国山水画在处理空间时具有极大的灵活性和机动性，认为空间必须服从画面景物的配置与变化；这种独特的艺术手法，既体现了中国画家独特的观察自然的方法，同时也蕴含着中华民族的审美胸襟，体现了中国人的自然观和空间概念。
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| 关 键 词： | 空间观 美术观 禅宗思想 寄情言志 以形媚道 审美意蕴 |
Tacit Creator in Cohesion with Grand Aesthetic Concepts --On the Relations between the Space Concepts in traditional Chinese Philosophical Thoughts and the Space Construction of the Ancient Chinese Landscape Painting |
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| Institution: | TANG Feng- ming(Department of Art Design, Xiangnan University, Chenzhou 423000, China) |
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| Abstract: | Space has always been an important concept in art. Different concepts of art stem from different space concepts. The handling of space in Chinese landscape paintings is based on the space concepts of the ancient China which has greatly influenced Chinese painters. In the eyes of Chinese painters, space is not only an objective existence, but also a harmonious combination with the artistic emotions of man in which the subject and objects are mutually merged into each other with. a result of the harmony between man, life and nature. In Chinese landscape painting, there exists great flexibility as to how to handle space which requires that space must be subjected to the arrangement and change of sceneries in the painting frame. It is a unique painting technique that embodies Chinese painters＇ peculiar method of observing nature, displaying Chinese nation＇ s aesthetic values that show Chinese concepts of nature and space. |
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| Keywords: | space concept art concept the Zen Buddhism imagery display concept by form aesthetic connotation |
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