| 南北朝佛教雕塑的艺术演变及特点 |
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| 引用本文： | 曹又亲.南北朝佛教雕塑的艺术演变及特点[J].广西大学梧州分校学报,2006,16(1):49-51. |
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| 作者姓名： | 曹又亲 |
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| 作者单位： | 华中师范大学美术学院 湖北武汉430079 |
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| 摘 要： | 印度佛教雕塑艺术在传入中国的过程中,并没有完全因袭印度佛雕的题材、内容和形式,而是在中国传统雕塑艺术的基础上,吸收了印度雕塑艺术的新鲜血液,融合为中国式的佛教雕塑艺术,在漫长的演变过程中,逐渐形成了以民族化和世俗化为特点的中国雕塑艺术,这在南北朝时期就已经初见端倪。
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| 关 键 词： | 佛教雕塑 演变 民族化 世俗化 |
| 文章编号： | 1009-2633（2006）01-0049-03 |
| 收稿时间： | 2005-11-02 |
The Artistic Evolution and Featurs of Buddhist Sculpture in Northern and Southern Dynasties |
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| Cao Youqin.The Artistic Evolution and Featurs of Buddhist Sculpture in Northern and Southern Dynasties[J].Journal of Guangxi University Wuzhou Branch,2006,16(1):49-51. |
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| Authors: | Cao Youqin |
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| Abstract: | In the course of its introduction to China, the Arts of Indian Buddhist sculpture didn't follow the subject matter, the contents and form of the Indina Buddhist sculpture.Instead,based on the Chinese traditional sculpture, it drew the fresh blood from the Indian sculpture,mixed together,and formed the arts of the Buddhist sculpture with Chinese characteristics and the features of nationalzation and common customs,about which a vaue notion appeared in the period of Northern and southern Dynasties. |
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| Keywords: | Buddhist Sculpture evolution nationalization common customs |
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