| 机械复制时代的“灵韵”艺术 |
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| 引用本文： | 李雷.机械复制时代的“灵韵”艺术[J].广播电视大学学报,2009(1):97-102. |
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| 作者姓名： | 李雷 |
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| 作者单位： | 首都师范大学,北京,100089 |
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| 摘 要： | “灵韵”是由德国文艺理论家瓦尔特·本雅明提出的一个原创性的美学概念。在其美学论域中，“灵韵”是与传统的生活和生命体验相关的，是指传统艺术中所具有的本原性、膜拜感和距离感等美学特征。而机械复制时代的艺术在存在方式、物质载体与传播媒介、艺术功能和接受方式等方面发生重大的变革，最终导致了“灵韵”艺术的消逝和终结。
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| 关 键 词： | 本雅明 机械复制时代 灵韵 意境 |
The 'Aura' Art in the Age of Mechanical Reproduction |
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| LI Lei.The 'Aura' Art in the Age of Mechanical Reproduction[J].Journal of TV University(Philosophy & Social Sciences),2009(1):97-102. |
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| Authors: | LI Lei |
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| Institution: | Capital Normal University;Beijing China 100089 |
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| Abstract: | ＇Aura＇, a creative aesthetic conception, is brought up by Walter Benjamin,who is a Germany theoretical artist. In his aesthetics ken, ＇Aura＇ is related to the traditional live and the life feeling. It is the aesthetic features like origins, worships, distance, which are contained by the traditional arts. However, in the age of mechanical reproduction, great changes about the way of existing, the material carriers and the media of spreading, the artistic function and the way of acceptation of art have taken place, as a result, the ＇aura＇ art is caused to die away and terminate gradually. |
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| Keywords: | Benjamin The age of mechanical reproduction Aura State |
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