| 谈蒙古族民歌器乐化发展 |
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| 引用本文： | 潮鲁.谈蒙古族民歌器乐化发展[J].内蒙古师范大学学报(哲学社会科学版),2001,30(6):109-113. |
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| 作者姓名： | 潮鲁 |
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| 作者单位： | 内蒙古师范大学,音乐系,内蒙古,呼和浩特,010022 |
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| 摘 要： | 蒙古族民歌是蒙古族音乐文化的重要组成部分。社会的发展和音乐文化的繁荣，促进了蒙古族民歌与不同音乐体裁和创作方式的逐步结合，孕育、产生了以蒙古族民歌为题材、具有蒙古音乐风格的器乐曲。蒙古族民歌的器乐化发展，既保持了民族音乐的内涵和普遍的表现形式，又融合了当今中西音乐的多种创作技法，对此进行深入研究，将对蒙古族音乐文化的进一步发展具有深远意义。
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| 关 键 词： | 蒙古族 民歌 音乐 器乐化 创作技法 |
ON THE INSTRUMENTATIONALIZED DEVELOPMENT OF MONGOLIAN FOLK SONGS |
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| CHAOLU.ON THE INSTRUMENTATIONALIZED DEVELOPMENT OF MONGOLIAN FOLK SONGS[J].Journal of Inner Mongolia Normal University (Philosophy & Social Science),2001,30(6):109-113. |
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| Authors: | CHAOLU |
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| Abstract: | Mongolian Folk songs are an important part in the Mongolian music. Social development and the thriving of musical culture has brought about the combination of the Mongolian folk songs and different types of music and different methods of musical creation.. With this there has arisen the instrumental music with Mongolian folk songs as its theme and in the Mongolian Musical style. The instrumentationalized development of the Mongolian folk songs not only keep alive the connotation and the universal forms of expression of Mongolian music, it also merge many Chinese and western musical techniques into itself. The study of this is of great importance for further development of the Mongolian musical culture. |
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| Keywords: | the Mongols folk song music instrumentalization development |
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