| 略论沈、汤的戏曲创作理论及其影响 |
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| 引用本文： | 索俊才.略论沈、汤的戏曲创作理论及其影响[J].内蒙古师范大学学报(哲学社会科学版),2007,36(2):74-77. |
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| 作者姓名： | 索俊才 |
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| 作者单位： | 内蒙古师范大学,文学院,内蒙古,呼和浩特,010022 |
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| 摘 要： | 在沈、汤论争中，沈碌力倡“音律说”、“本色论”，这对扭转明中期以来的不良创作风气起了一定的作用。同时也表现出明后期戏曲创作对音乐美、形式美追求的时代特色。但沈臻的理论忽视了作品的思想内容，客观上对明后期吴江派的戏曲创作及作品品评产生了不良的影响。汤显祖提出“文以意趣神色为主”，强调了作品的“曲意”、“意趣”，重视作品的思想内容，重视作品的机趣、神似、真色等问题，对明后期临川派作家的创作起了积极的推动作用。
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| 关 键 词： | 沈、汤之争 创作理论 音律说 本色论 意趣神色 |
| 文章编号： | 1001-7623（2007）02-0074-04 |
| 修稿时间： | 2006-12-20 |
ON SHEN JING'S AND TANG XIAN-ZU'S OPERA WRITING THEORIES AND THEIR INFLUENCE |
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| SUO Juncai.ON SHEN JING''''S AND TANG XIAN-ZU''''S OPERA WRITING THEORIES AND THEIR INFLUENCE[J].Journal of Inner Mongolia Normal University (Philosophy & Social Science),2007,36(2):74-77. |
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| Authors: | SUO Juncai |
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| Institution: | College of Liberal Arts, Inner Mongolia Normal University, Huhhot , Inner Mongolia, China , 010022 |
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| Abstract: | In the argument between Shen Jing and Tang Xian-zu,Shen firmly advocates "the rhythmical theory" and "the theory of innate characters",which plays an important part in reversing the unhealthy writing atmosphere in mid-Ming Dynasty and represents the pursuit of the beauty of music and form in the opera writing theory in late Ming.However,Shen Jing's theory ignores the ideological content of operas,which objectively brings about unhealthy effect on Wujiang School's opera writing and appreciation in late Ming.On the contrary,Tang Xian-zu advances that the focus of opera writing is "interest,charm and expression".He emphasizes "ambiguous meaning" and "interest and charm",attaches importance to the ideological content of operas,and issues such as "wit and interest","spirit resemblance" and so on,which plays an important role in promoting the writing of Linchuan School in late Ming. |
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| Keywords: | argument between Shen Jing and Tang Xian - zu writing theory rhythm theory of innate characters interest charm and expression |
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