| 也说“胸无成竹”——兼论表现技法程式化对中国传统绘画创作构思活动的影响 |
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| 引用本文： | 李放.也说“胸无成竹”——兼论表现技法程式化对中国传统绘画创作构思活动的影响[J].信阳师范学院学报(哲学社会科学版),2005,25(4):57-60,66. |
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| 作者姓名： | 李放 |
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| 作者单位： | 首都师范大学,北京,100037 |
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| 摘 要： | 郑板桥画竹“胸无成竹”有其特定的历史条件,体现了技法程式高度完备条件下的墨竹画艺术创作特征。中国人学画要从临摹入手,学画的过程既是熟悉作画套路的过程,也是建立记忆表象的过程。记忆表象的笔墨化意味着艺术家创作构思任务减轻和难度的降低,导致了创作意象的瞬间生成,而作画活动的程序化则降低了画家对艺术构思的依赖性。如此,画竹“胸无成竹”才成为可能。
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| 关 键 词： | 胸有成竹 胸无成竹 技法程式 艺术创作 苏轼 文与可 郑板桥 |
| 文章编号： | 1003-0964（2005）04-0057-04 |
| 收稿时间： | 02 18 2005 12:00AM |
| 修稿时间： | 2005-02-18 |
On "the bamboo outside mind"-- the influence provoked by the stylization of artistic approach on the creation of Chinese traditional paintings |
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| LI Fang.On "the bamboo outside mind"-- the influence provoked by the stylization of artistic approach on the creation of Chinese traditional paintings[J].Journal of Xinyang Teachers College(Philosophy and Social Sciences Edition),2005,25(4):57-60,66. |
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| Authors: | LI Fang |
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| Abstract: | ZHENG Ban-qiao's "The Bamboo outside Mind" represents a creative model of paintings based on the high maturity of painting techniques that were born in a certain historical circumstance. For Chinese, imitating the paintings is a process of being familiar with the painting techniques, as well as a process of building the memory presentations. The outgoing of memory presentations leads to the instant creation of images. Meanwhile, the stylization of artistic approach reduces the artists' detachment to the artistic conception. Hence, painting the bamboo with "the bamboo outside mind" becomes possible. |
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| Keywords: | the bamboo outside mind the bamboo in mind the stylization of techniques artistic creation SU Shi WEN Yu-ke ZHENG Ban-qiao |
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