| 《红灯记》电视剧与新世纪红色文化重构 |
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| 引用本文： | 张丽军,杨存昌.《红灯记》电视剧与新世纪红色文化重构[J].海南师范大学学报(社会科学版),2009,22(3):51-57. |
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| 作者姓名： | 张丽军 杨存昌 |
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| 作者单位： | 山东师范大学,文学院,山东,济南,250014 |
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| 摘 要： | 1990年代以来，一股红色经典改编的热潮在当代中国涌起。红色经典回归潮流的涌动不是偶然的，而是有着深刻的历史、社会、美学等多种因素。《红灯记》电视剧就是这样一种复杂的时代背景下改编的。与其他红色经典改编失败遭遇不同的是，《红灯记》的改编受到了来自各方的好评。因此，我们在探析红色经典改编热潮的文化心理的同时，重点讨论分析了《红灯记》改编剧的美学理念、艺术特色、人物形象，揭示出《红灯记》等红色经典改编所具有的赓续、传承与重构新世纪“红色文化”的多元艺术功能。
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| 关 键 词： | 红色经典改编 样板戏 《红灯记》 红色文化 |
The TV Play The Red Lantern and the Reestablishment of Revolutionary Culture |
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| Authors: | ZHANG Li-jun YANG Cun-chang |
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| Institution: | , et al (College of Chinese Language and Literature, Shandong Normal University, Jinan 250014, China) |
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| Abstract: | Since the 1990s, China has witnessed a great upsurge of remolding revolutionary classics, which is not accidental but bound up with various historical, social and aesthetic factors. It is in such a complex social context that The Red Lantern was remodeled into a TV play, and moreover, unlike the failure of other revolutionary classics, the play has met with much praise and acclaim from various social sectors. Therefore, alongside a probe made into the cultural mentality of the upsurge for remolding revolutionary classics, priority is given to analyzing the aesthetic notion, artistic traits, characters in the TV play The Red Lantern so as to reveal the multiple artistic functions of carrying forward and reestablishing the new-century “revolutionary culture” as embraced by the remolding of The Red Lantern and other revolutionary classics. |
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| Keywords: | the remolding of revolutionary classics model opera The Red Lantern revolutionary culture |
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