| 戏曲的出路在于回归民间 |
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| 引用本文： | 朱恒夫,黄文娟.戏曲的出路在于回归民间[J].大连大学学报,2004,25(5):47-49. |
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| 作者姓名： | 朱恒夫 黄文娟 |
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| 作者单位： | 同济大学,中文系,上海,200092 |
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| 摘 要： | 揭示戏曲日趋衰弱的原因,探讨振兴戏曲的途径,认为,戏曲的根本出路在于回归民间。具体的做法是:彻底改变目前的剧团体制,由普通大众决定剧目与演员的优劣,要多演反映现实生活、吻合人民大众思想与审美趣味的剧目,内容上要具有传奇性与故事性,等等。
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| 关 键 词： | 戏曲 回归 民间 |
| 文章编号： | 1008-2395(2004)05-0047-03 |
| 修稿时间： | 2004年9月9日 |
Return to the folk - the way out of Chinese opera |
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| ZHU Heng-fu,HUANG Wen-juan.Return to the folk - the way out of Chinese opera[J].Journal of Dalian University,2004,25(5):47-49. |
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| Authors: | ZHU Heng-fu HUANG Wen-juan |
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| Abstract: | This article presents the cause of the decline of Chinese opera, and discusses the way to shake the opera up. The writer thinks that the essential way out is to return to the folk. The detailed measure is as follows:we should innovate the current system of the opera troupe drastically. The righ to decide the lists of plays and actors should belong to the folk. There should be more plays that reflect real life and inosculate public thinking and taste. The content should be of romance and story,etc. |
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| Keywords: | Chinese opera return folk |
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