| 重识《女神》 |
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| 引用本文： | 刘悦坦.重识《女神》[J].华侨大学学报(哲学社会科学版),2002,12(1):106-112. |
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| 作者姓名： | 刘悦坦 |
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| 作者单位： | 山东大学,文学院,山东,济南,250100 |
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| 摘 要： | 《女神》研究中的众多“共识”已经停滞了对《女神》的进一步深入认识。《女神》的“横空出世”,横扫的不只是旧体诗,它还终结了同时代的早期白话诗,这使得中国现代新诗没有从直白浅露的“白话”起步,而是从一种自由创作精神起步。《女神》在五四新坛出现的意义在于它以对狂飙突进的五四时代精神的诗化开了一代诗风,这与《尝试集》等新诗集有着根本的不同。《女神》带给中国新诗发展的真正影响在于现代诗性思维方式对新诗创作艺术构思的革命。
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| 关 键 词： | 《女神》 诗化 思维方式 |
| 文章编号： | 1006-1398(2002)01-0106-07 |
| 修稿时间： | 2001年10月31 |
Recognize Guo Moruo's Goddess Afresh |
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| LIU Yue,tan.Recognize Guo Moruo's Goddess Afresh[J].Journal of Huaqiao University(Humanities & Social Science),2002,12(1):106-112. |
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| Authors: | LIU Yue tan |
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| Abstract: | Numerous"common understanding"in studies of Goddess stagnate further study in depth. What had been swept away by the great momentum of Goddess were not only the old-style poetry but also the early free verse in vernacular.This makes Chinese modern new poetry to start from the spirit of free creation instead of the vernacular easy to understand.The emergence of Goddess in poetry world of the May Fourth implied the initiation of poetic morals of a generation by poeticise the epoch making spirit of storm and stress.As the true effect of Goddess on the development of Chinese new poetry,the modern poetic mode of thinking had revolutionized the artistic conception of the creation of new poetry. |
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| Keywords: | Goddess poeticise mode of thinking |
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