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"看"与"被看"的差异——比较鲁迅小说与莫言《檀香刑》中的"看客"
引用本文:徐祺琪."看"与"被看"的差异——比较鲁迅小说与莫言《檀香刑》中的"看客"[J].河池学院学报,2006,26(4):85-87.
作者姓名:徐祺琪
作者单位:广西师范大学,文学院,广西,桂林,541004
摘    要:“看客”是鲁迅小说中常见的人物群像,由此衍生出的“看”与“被看”二元结构是其基本主题模式。莫言《檀香刑》依循鲁迅的批判精神,把“看客”形象升华到了更高的艺术层次。比较分析二者笔下“看客”形象的异同,透过“看”与“被看”之间的权力关系,凸显“看客”形象的审美价值及其对于文学史的意义。

关 键 词:鲁迅小说  看客  《檀香刑》  权力
文章编号:1672-9021(2006)04-0085-03
修稿时间:2006年7月10日

The Distinction Between "Looks" And "Being looked"——Compares The "play-looker" in Lu Xun's novel With Mo Yan's "Sandalwood Penalty"
Xu Qi-qi.The Distinction Between "Looks" And "Being looked"——Compares The "play-looker" in Lu Xun''''s novel With Mo Yan''''s "Sandalwood Penalty"[J].Journal of Hechi University,2006,26(4):85-87.
Authors:Xu Qi-qi
Abstract:The group portrait of "play-looker" is the common character in Lu Xun's novel,and the dual structure of "looks" and "being looked" which deduced by them is the basic subject pattern.Not to say Sandalwood Penalty" relies on Lu Xun's critique spirit,sublimated the image of "play-looker" to the higher artistic level.This article try to compare and analysis the same and difference of the "play-looker" between two texts,and penetrate the authority relation between "looks" and "being looked",to raise the image esthetic value and the significance of "play-looker" in the literal history.
Keywords:Lu Xun's novel  "play-looker"  "Sandalwood Penalty"  authority
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