| 影视动画专业素描课程训练的特性与教学 |
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| 引用本文： | 程狄.影视动画专业素描课程训练的特性与教学[J].科教文汇,2011(34):150-150,177. |
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| 作者姓名： | 程狄 |
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| 作者单位： | 南京铁道职业技术学院软件学院艺术设计系,江苏南京,210031 |
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| 摘 要： | 素描功底是所有绘画艺术样式进行创作的基石,这里的＂素描＂既包括西方的＂明暗素描＂,也包括中国传统艺术＂线描＂。素描训练的最终目的是为了让画家拥有对物体敏锐的观察力和概括表现力,能生动形象地描绘出物体的内在气质。动画作为20世纪新生的一门艺术样式,虽然它是借助电影语言和电脑技术,但其中还是存在许多艺术元素,例如角色造型的绘制、场景道具的绘制等,这些都需要有扎实的艺术表现能力。本文着重介绍动画专业素描训练与传统素描训练的差异以及在课程设置科目上的特别之处。
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| 关 键 词： | 动画专业素描 绘画专业素描 课程设置 训练目的 技法表现 |
On the Features and Teaching of Sketch Training of Film and Animation Major |
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| Authors: | Cheng Di |
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| Institution: | Cheng Di Nanjing Institute of Technology,210031,Nanjing,Jiangsu,China |
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| Abstract: | Sketch painting skills are the cornerstone of creative styles, where the ＂sketch＂ includes both the West＇s ＂light and shade drawing＂ and the traditional Chinese art of ＂line drawing.＂ The ultimate goal of sketch training is to enable the artist possess a keen observation of objects and a summarizing expression, and be able to vividly depict the inner qualities of objects. Animation, as a new art style in the 20th century, is aided by film language and computer technology, but there are still many artistic elements in it, such as the drawing of role modeling, the drawing of the scene props, etc., which needs a solid artistic ability. This article focuses on the introduction of the difference between the sketch of animation major and that of the traditional sketch training and the special points in subject setting. |
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| Keywords: | sketch of animation major sketch of painting major course setting training purpose technique expression |
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