| 陪都电影传播战时机制的确立与理论导向 |
| |
| 引用本文： | 冯清贵.陪都电影传播战时机制的确立与理论导向[J].绵阳师范学院学报,2007,26(1):98-102. |
| |
| 作者姓名： | 冯清贵 |
| |
| 作者单位： | 绵阳师范学院文学与传播学院,四川绵阳,621000 |
| |
| 摘 要： | 重庆电影业经过历史的发展，到抗战时期，形成了制片、发行、放映一体化的生产流程，这标志着陪都电影进入了一个前所未有的鼎盛时期。在战时机制下，陪都抗战电影形成了一套特殊的传播理论，普遍重视电影的宣传教育功能，艺术要求降为次要。同时汲取苏联电影业的经验，变更电影体制从民营转变为国有。本文从电影传播的角度为切入点，以求把握战时状态下中国电影的传播规律。
|
| 关 键 词： | 陪都电影 一体化 战时机制 国家体制 |
| 文章编号： | 1672-612x（2007）01-0098-05 |
| 修稿时间： | 2006-09-15 |
Establishment & Theoretical Orientation of Wartime Movie Dissemination Mechanism in Chongqing |
| |
| FENG Qing-gui.Establishment & Theoretical Orientation of Wartime Movie Dissemination Mechanism in Chongqing[J].Journal of Mianyang Normal University,2007,26(1):98-102. |
| |
| Authors: | FENG Qing-gui |
| |
| Abstract: | The Chongqing movie industry goes through many different stages of development, and in the War of Resistance against Japanese Aggression, it becomes an integration of movie making, movie distributing and movie projecting. It marks the entry of Chongqing movies into a period of unprecedented prosperity. Under the wartime mechanism, Chongqing, the temporary capital of China, develops a special theory for movie dissemination, stressing propaganda function rather than art demand. At the same time, it draws lessons from the Soviet Union, changing the movie system from non - state - owned to state - owned. The writing, from the perspective of movie dissemination, attempts to explore the principles of wartime movie dissemination in China. |
| |
| Keywords: | Chongqing movie integration wartime mechanism national system |
| 本文献已被 CNKI 维普 万方数据 等数据库收录！ |
