| 中国电影的戏曲艺术特征研究 |
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| 引用本文： | 赵司原.中国电影的戏曲艺术特征研究[J].唐山师范学院学报,2014(1):77-81. |
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| 作者姓名： | 赵司原 |
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| 作者单位： | 山西师范大学戏曲文物研究所,山西临汾041000 |
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| 摘 要： | 19世纪末，电影进入中国时面临独霸中国娱乐市场的传统戏曲的威胁和考验。为能更好地被中国大众所接受，电影选择了讨好戏曲的发展方式，表现为中国电影对戏曲内在意蕴的借鉴，逐步形成中庸思想、新奇的故事情节、线性叙事结构、写意性特征，呈现出独具中国特色、中国艺术魅力和中国烙印的电影形态。
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| 关 键 词： | 中国电影 戏曲 线性叙事 写意性 |
The Features of Opera art in Chinese Movies |
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| ZHAO Si-yuan.The Features of Opera art in Chinese Movies[J].Journal of Tangshan Teachers College,2014(1):77-81. |
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| Authors: | ZHAO Si-yuan |
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| Institution: | ZHAO Si-yuan (Institute of Cultural Relics of the Drama, Shanxi Normal University, Linfen 041000, China) |
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| Abstract: | At the end of the 19th century, when movie entered the Chinese abroad movies, it was facing the threat and trial of traditional opera art which was dominated the Chinese entertainment market at that time. In order to be accepted by Chinese audiences, movie chose to please Chinese opera by borrowing the inherent implication of opera. And later it formed a style which was characterized by the doctrine of the mean, the novel plot, linear narrative structure, style characteristics. This showed unique Chinese characteristics and was with Chinese artistic charm. |
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| Keywords: | Chinese film opera artistic characteristics linear narrative impressionistic |
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