| 试论《枕草子》的审美意识与白诗流行的内在关系 |
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| 引用本文： | 李传坤.试论《枕草子》的审美意识与白诗流行的内在关系[J].科教文汇,2013(23):64-65. |
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| 作者姓名： | 李传坤 |
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| 作者单位： | 桂林旅游高等专科学校 广西桂林 541006 |
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| 摘 要： | 《枕草子》是清少纳言根据自己在宫中的供职经历而创作的随笔作品。代表着平安王朝传统审美意识的＂をかし（趣味）＂和＂あはれ（情趣）＂等词语在作品中随处所见,并成为该作品重要的关键词。清少纳言根据自己的审美基准将白居易的诗文寓于作品中,以抒发自己的人生感悟。《枕草子》中的所谓＂审美意识＂与白诗之间似乎存在着某些内在关联,通过这些关联或许可以找到白居易作品流行于平安王朝的原因。
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| 关 键 词： | 枕草子 白居易诗歌 审美意识 内在关联 |
An Analysis of Internal Relation between Aesthetic Con-sciousness in "Makuranososhi" and the Prevalence of Bai's Poems |
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| Authors: | Li Chuankun |
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| Institution: | Li Chuankun |
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| Abstract: | ＂Makuranososhi＂ is a causerie that Seishonagon created in terms of her own experience of service in palace.The terms such as ＂をかし＂（meaning interest and fun） and ＂あはれ＂（meaning taste and mood）,which stand for the traditional aesthetic consciousness of Ping＇an Dynasty,can be seen throughout this work and therefore become the key words of the book.Seishonagon,according to her own aesthetic standard,quotes Bai＇s poems in this work so as to express her insight into life.Between ＂aesthetic consciousness＂ in the book and Bai＇s poems there may be certain internal relation,by which some interpretation will be given for the reason why Bai＇s poems were popular in Ping＇an Dynasty. |
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| Keywords: | "Makuranososhi" Bai's poems aesthetic conscious-ness internal relation |
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