| 论贾平凹对中国传统审美理论的传承 |
| |
| 引用本文： | 程华.论贾平凹对中国传统审美理论的传承[J].商洛学院学报,2011,25(1). |
| |
| 作者姓名： | 程华 |
| |
| 作者单位： | 商洛学院中文系,陕西商洛,726000 |
| |
| 基金项目： | 陕西省教育厅专项科研计划项目 |
| |
| 摘 要： | 在中国当代作家中,贾平凹是一个具有自觉艺术意识并不断通过创作来丰富和充实自己艺术表现手段的作家.和新时期先锋作家们不同的是,贾平凹注重从中国传统的审美因素中,寻找自己的创作切入点,在传统审美基础上,去发掘新的表现.贾平凹小说艺术意识中重整体、重精神、重意象的观念是对中国传统审美理论的传承.
|
| 关 键 词： | 贾平凹 整体 精神 意象 |
On Heritage of Traditional Chinese Aesthetic Theory by Jia Pingwa |
| |
| CHENG Hua.On Heritage of Traditional Chinese Aesthetic Theory by Jia Pingwa[J].Journal of Shangluo University,2011,25(1). |
| |
| Authors: | CHENG Hua |
| |
| Institution: | CHENG Hua(Chinese Department of Shangluo University,Shangluo,Shaanxi 726000) |
| |
| Abstract: | Among modern Chinese writers,Jia Pingwa is one who has the sense of conscious artistic and the writer who continues to enrich and strengthen by creating his own means of artistic expression.The difference between New Pioneer Writers and Jia is that Jia pays great attention to the traditional Chinese aesthetic factors to find his own creative starting point,and he is also good at discovering a new show based on the traditional aesthetic.The idea of inheriting the Chinese tradition esthetic theory is to consi... |
| |
| Keywords: | Jia Pingwa entirety spirit image |
| 本文献已被 CNKI 万方数据 等数据库收录！ |
|
