| 中国山水画自然观中的世俗文化情态 |
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| 引用本文： | 邱巧.中国山水画自然观中的世俗文化情态[J].大连大学学报,2007,28(4):53-57. |
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| 作者姓名： | 邱巧 |
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| 作者单位： | 重庆交通大学,人文学院,重庆,400074 |
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| 摘 要： | 中国传统文化精神安于此岸、缺乏终极超越,这使得山水画艺术作为中国文化的独特视觉呈现也受到了巨大的影响。山水画中的观物方式、笔墨情趣和艺术理想这三者彼此相连,在显现山水画艺术本身所禀赋的特征之余,也显现出自然观“天人合一”的实质背景下,山水画艺术与中国传统文化相呼应,必然浸润上中国文化浓厚的世俗气息。
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| 关 键 词： | 中国山水画 自然观 中国文化 世俗 |
| 文章编号： | 1008-2395（2007）04-0053-05 |
| 修稿时间： | 2006-10-28 |
On the Secular Tang in the Nature Outlook in Chinese Landscape Painting |
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| QIU Qiao.On the Secular Tang in the Nature Outlook in Chinese Landscape Painting[J].Journal of Dalian University,2007,28(4):53-57. |
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| Authors: | QIU Qiao |
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| Institution: | Fine Arts Academy, Southwest University, Chongqing 400715,China |
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| Abstract: | The spirit of being content with the status quo in traditional Chinese culture has great influences on Chinese landscape painting. The visual perspective,painting taste,and art aspiration manifested in the landscape painting are related to each other.In addition to landscape painting's inborn features,they also show that the art of landscape painting is bound to be permeated with the secular tang when it echoes with traditional Chinese culture in the background of "harmony of man with nature" as the essence of nature outlook. |
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| Keywords: | Chinese landscape painting nature outlook Chinese culture secular |
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