| 差异原理形式在后现代主义艺术中的运用 |
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| 引用本文： | 陈伟长.差异原理形式在后现代主义艺术中的运用[J].福建师大福清分校学报,2011(1):86-90. |
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| 作者姓名： | 陈伟长 |
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| 作者单位： | 泉州师范学院艺术学院,福建泉州,362000 |
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| 摘 要： | 本文探讨在历史遗传下来的技法样式中如何继承,结合时代的思考,从而才能产生与过去传统艺术相媲美的新艺术形式。在多媒体盛行的时代,多元化的后现代主义艺术中,利用一个心理学的概念——差异原理结合艺术形式,找出一条新的具象创作规律——差异原理形式,以此形式为角度对现代主义艺术经过艺术形式的分析期后过渡到后现代主义艺术,如何作到继承与发展,如何对待历史积淀下来的知识进行思考。
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| 关 键 词： | 差异原理形式 后现代主义 心理学 有意味的形式 |
The Application of Principle Difference in Post-modernism Art form |
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| CHEN Weichang.The Application of Principle Difference in Post-modernism Art form[J].Journal of Fuqing Branch of Fujian Normal University,2011(1):86-90. |
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| Authors: | CHEN Weichang |
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| Institution: | CHEN Weichang(Fine Art and Design College of Quanzhou Normal university,Qianzhou,Fujian,362000) |
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| Abstract: | This paper discusses how to create a new artistic style by combining traditional technique of painting or drawing with modern consideration.In the prevailing multimedia era and diversity in post-modernism art form we should adopt a psychological concept principle difference and combine it with artistic style to find a new law in representational creation—Principle difference in art form.With that principle analyzes the transformation from modernism art from to post-modernism art form. |
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| Keywords: | principle difference in art form post-modernism psychology |
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