| “咸通”诗人群体的心态与创作 |
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| 引用本文： | 王小兰.“咸通”诗人群体的心态与创作[J].西北师大学报,2004,41(2):20-24. |
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| 作者姓名： | 王小兰 |
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| 作者单位： | 杭州师范学院综合研究所 浙江 |
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| 摘 要： | 成通时期的诗人诗作,体现着小李、杜以后晚唐诗发展的基本走向。懿宗一代诗人数量颇为可观,作品得以传世者将近五十人。世事的混乱、儒道的衰微,逐步改变着咸通诗人的处世心态,他们不得不面对出世与入世的艰难选择。咸通诗歌在艺术取向上以平易浅俗为主,间有淡雅清丽之作,这预示着“元、白”与“姚、贾”两种诗风必将主宰唐末诗坛的发展主流。
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| 关 键 词： | 咸通时代 诗人心态 艺术取向 |
| 文章编号： | 1001-9162(2004)02-0020-05 |
| 修稿时间： | 2003年6月25日 |
On the Poet Group's Mentality and Its Creation in Xian Tong Period |
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| WANG Xiao-lan.On the Poet Group''''s Mentality and Its Creation in Xian Tong Period[J].Journal of the Northwest Normal University(Social Sciences),2004,41(2):20-24. |
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| Authors: | WANG Xiao-lan |
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| Abstract: | The poets' creation during Xian Tong period, represented the basic poem development tendency in the late Tang dynasty after Li Shangyin and Du Mu. The then chaotic and changeable world affairs, and declining of Confucianism gradually changed the poets' mentality. They had to face the hard times and be in a dilemma. Their poems showed plain, simple and vulgar aesthetic orientation. |
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| Keywords: | Xian Tong period the poets' mentality aesthetic orientation |
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