| 论唐前神女赋的流变 |
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| 引用本文： | 唐英.论唐前神女赋的流变[J].安康学院学报,2011,23(1):49-53. |
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| 作者姓名： | 唐英 |
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| 作者单位： | 广西师范大学,文学院,广西,桂林,541006 |
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| 摘 要： | 宋玉赋中的女性形象以《高唐赋》、《神女赋》为代表可分为奔女和神女两大系统。奔女赋快速消亡,奔女形象融入诗歌;神女赋则形成了系列。正统系列以曹植的《洛神赋》为代表,分支系列以陶渊明的《闲情赋》为代表。唐前神女赋之所以呈现出这样的发展轨迹,除时代风尚的变化、作者的个人特点等因素外,其以刻画女性形象为主体,追求人生信念和终极理想以及对因求而不得而感慨伤怀加以唯美表达的特质是起了主要作用的。
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| 关 键 词： | 唐前 神女赋 流变 奔女 神女 |
The Development of the Poem Style-Shen-nu-fu in Pre-Tang Dynasty |
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| TANG Ying.The Development of the Poem Style-Shen-nu-fu in Pre-Tang Dynasty[J].Journal of Ankang Teachers College,2011,23(1):49-53. |
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| Authors: | TANG Ying |
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| Institution: | TANG Ying(School of Art,Guangxi Normal University,Guilin 541006,Guangxi,China) |
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| Abstract: | The image of women of Song Yu's Fu those represent ofGaoTang Fuand Goddess Fucan be divided into two systems as and the goddess,the Fu of elope-girls rapid disappeared but Goddess Fu wasn't.Cao Zhi'sGoddess Fuas the representative of Main part and Tao Yuanming's Xian Qing Fuas the representative of the branch.The development ofGoddess Funot only the changes in fashion era and the author's personal characteristics and other factors,but also the aesthetic expression of feeling sad and hurt those produced in t... |
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| Keywords: | Pre-Tang Dynasty Goddess Fu development elope-girls Goddess |
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