| 从“文学场”看“发愤抒情”文学传统之形成 |
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| 引用本文： | 吴奇.从“文学场”看“发愤抒情”文学传统之形成[J].北京教育学院学报,2006,20(2):21-24. |
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| 作者姓名： | 吴奇 |
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| 作者单位： | 重庆师范大学文学与新闻学院 重庆400047 |
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| 摘 要： | 布尔迪厄认为:知识分子是“统治阶级中被统治的一部分”,“文学场”在“权力场”中的这一位置决定了它具有其独特的运作逻辑。中国古代“发愤抒情”的文学传统肇端于屈原而形成于司马迁,其形成是“文学场”向“权力场”疏离的必然,这种疏离昭示了文学场“输者为赢”的运作逻辑。“楚辞”也被作为“发愤抒情”的范型而为后世接受。
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| 关 键 词： | 文学场 屈原 司马迁 发愤抒情 文学传统 |
| 文章编号： | 1008-228X（2006）02-0021-04 |
| 收稿时间： | 2006-04-20 |
| 修稿时间： | 2006年4月20日 |
Analysis of the Formation of Literary Tradition of "the Determined Lyrics" from the Perspective of "the Literature Field" |
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| WU Qi.Analysis of the Formation of Literary Tradition of "the Determined Lyrics" from the Perspective of "the Literature Field"[J].Journal of Beijing Institute of Education,2006,20(2):21-24. |
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| Authors: | WU Qi |
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| Abstract: | Pierre Bourdieu thinks that intellectuals are "one part under privileged in the hierarchical structure".The position of "Literature field" in the "power field" determines its unique operating logic.The literary tradition of "the determined lyrics" in ancient China originates with Qu Yuan and takes shape in Sima Qian,its formation is a necessity of alienation from the "the literature field" to "the power field".This partition demonstrates "the lost win" operating logic in the literature field.Taken "the determined lyrics" as an example,"Chu Ci" is accepted by its posterity. |
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| Keywords: | Literature field Qu Yuan Sima Qian the determined lyrics literary tradition |
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