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舞蹈艺术的意境创造——兼论中国书画与舞蹈的共通性
引用本文:谢冲.舞蹈艺术的意境创造——兼论中国书画与舞蹈的共通性[J].衡水学院学报,2007,9(3):73-74.
作者姓名:谢冲
作者单位:北京师范大学,艺术与传媒学院,北京,100875
摘    要:境界说是我国传统文艺美学的重要理论,主张艺术作品要创作出"象外之象""景外之景""韵外之致"和"味外之旨",以达到"言有尽而意无穷"艺术境界的审美要求,并认为只有创造出具有一定艺术境界的作品,才是具有高格的上品。本文以《扇舞丹青》这部作品为入径进行分析,探寻古典舞蹈与中国传统书画艺术相结合的艺术境界。

关 键 词:境界说  舞蹈意境  绘画  书法
文章编号:1673-2065(2007)03-0073-02
修稿时间:2007-04-11

Artistic Conception Creation of Dancing Arts——on Similarity between Chinese Calligraphy and Dance
XIE Chong.Artistic Conception Creation of Dancing Arts——on Similarity between Chinese Calligraphy and Dance[J].Journal of Hengshui University,2007,9(3):73-74.
Authors:XIE Chong
Institution:Art and Propagation Medium College, Beijing Normal University, Beijing100875, China
Abstract:It is an important theory of traditional ceterature and aestchetics in China for the boundary ology.It advocates that the production you create should be able to feel or transilluminate the things out of the appearance,scence,lingering charm and favor.All these are to achieve the aesthetic effect: to say less but means a lot.And it is believed that only the work with artistic conception is really of high class.The paper attempts to examine the combination between Classic dance and Chinese traditional art of painting and calligraphy by The Dance with Fan.
Keywords:artistic conception theory  artistic conception of dancing  drawing  calligraphy
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