| 承担与消解——《呐喊》、《彷徨》与《故事新编》的一点比较 |
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| 引用本文： | 李向东.承担与消解——《呐喊》、《彷徨》与《故事新编》的一点比较[J].河北北方学院学报(社会科学版),2014(5):33-36. |
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| 作者姓名： | 李向东 |
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| 作者单位： | 河北北方学院文学院,河北张家口075000 |
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| 摘 要： | 浓郁的抒情性和对病态心灵的深入剖析是鲁迅早期小说集《呐喊》、《彷徨》的重要审美特征与思想特征,体现了鲁迅介入现实的意愿以及承担沉重现实的努力。而在鲁迅后期完成的历史小说集《故事新编》中,抒情性与心灵剖析被愈演愈烈的＂油滑＂所取代,《呐喊》、《彷徨》所指向的宏大叙述也随之消解。这种转换的出现呈示了鲁迅生命体验和思想状态的深刻变化。
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| 关 键 词： | 鲁迅 《呐喊》 《彷徨》 《故事新编》 承担 消解 |
Undertakingand Dispelling --Comparison between Calls to Arms,Wandering and Old Stories Retold |
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| LI Xiang-dong.Undertakingand Dispelling --Comparison between Calls to Arms,Wandering and Old Stories Retold[J].Journal of Hebei North University,2014(5):33-36. |
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| Authors: | LI Xiang-dong |
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| Institution: | LI Xiang-dong (School of Chinese Language and Literature, Hebei North University, Zhangjiakou, Hebei 075000, China) |
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| Abstract: | Rich lyricism and thorough analysis of morbid spirit is most important aesthetic and ideological characteristics in Lu Xun＇s early works Calls to Arms and Wandering ,and reveals his will of intervening the reality and his efforts of undertaking harsh reality. While in his later historical works Old Stories Retold,lyricism and soul searching is replaced by＂shrewd＂gradually,and the grand narrative in Calls to Arms and Wandering is completely dispelled. This conversion shows the profound change of Lu Xun~s life experience and his state of mind. |
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| Keywords: | Lu Xun Calls to Arms Wandering Old Stories Retold undertaking dispelling |
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