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试论仄声韵格律诗的平仄格式
引用本文:刘志纲.试论仄声韵格律诗的平仄格式[J].广东教育学院学报,2008,28(2):37-42.
作者姓名:刘志纲
作者单位:广东教育学院中文系 广东广州510303
摘    要:关于仄声韵格律诗的平仄格式,学界迄今很少有人专题论及。将仄声韵的平仄格式与平声韵诗的平仄格式略作比较,我们可以发现,仄声韵诗的平仄格式,有不少与平声韵诗的平仄格式一样,无论是五言还是七言的诗,也都有四种基本句式和四种基本格式,平仄变化的规律性也很强,与平声韵诗不同的只是出句末字不入韵的字可用平声也可用仄声,且平仄格式更灵活多变。

关 键 词:仄声韵  格律诗  平仄格式  句式
文章编号:1007-8754(2008)02-0037-06
修稿时间:2008年3月5日

The Ping-ze Format in Ze Tonal Rhyme Metrical Verse
LIU Zhi-gang.The Ping-ze Format in Ze Tonal Rhyme Metrical Verse[J].Journal of Guangdong Education Institute,2008,28(2):37-42.
Authors:LIU Zhi-gang
Institution:LIU Zhi-gang (Dept. of Chinese, Guangdong Education Institute, Guangzhou, Guangdong, 510303, P. R. China)
Abstract:In the academic community,little work has been done to discuss the Ping-ze format in Ze tonal rhyme metrical verse specially.By comparing the Ping-ze format in Ze tonal rhyme metrical verse with that in the Ping tonal rhyme metrical verse,we found that,whether the poems with five characters or seven characters per line,there are always four basic sentence patterns as well as four basic formats in Ze tonal rhyme metrical verse.Moreover,the mutation between Ping and Ze tonal rhyme also follows a very strong regularity.However,the last word in each line that is not restricted by tonal rhyme can be either Ping or Ze and the Ping-Ze format in Ze tonal rhyme metrical verse is more flexible.
Keywords:Ze tonal rhyme  metrical verses  Ping-ze format  sentence pattern
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