| 对手风琴独奏曲《夕阳箫鼓》的理论浅谈 |
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| 引用本文： | 邢媛.对手风琴独奏曲《夕阳箫鼓》的理论浅谈[J].丽水学院学报,2007,29(6):68-70. |
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| 作者姓名： | 邢媛 |
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| 作者单位： | 西北第二民族学院,团委,宁夏,银川,750021 |
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| 摘 要： | 对手风琴民族化音乐创作而言, 由于乐器本身构造原理中和声设置的固定和局限, 给实践运用带来困难.全文探讨了著名手风琴作曲家王树生的作品《夕阳箫鼓》的创作风格, 从而感受他创作中的个性化特点, 并通过对手风琴曲《夕阳箫鼓》的技术特点及简要结构分析, 了解《夕阳箫鼓》的艺术魅力以及这首曲子的创作特点, 从而进一步说明手风琴不仅是世界的,同样也是民族的.
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| 关 键 词： | 手风琴 创作风格 技巧 民族魅力 |
| 文章编号： | 1008-6749(2007)06-0068-02 |
| 修稿时间： | 2007年4月28日 |
An Analysis of the Nationalization of the Accordion Musical Creation |
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| Xing Yuan.An Analysis of the Nationalization of the Accordion Musical Creation[J].Journal of Lishui University,2007,29(6):68-70. |
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| Authors: | Xing Yuan |
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| Abstract: | Because of the limitation of the structural principle of the instrument itself and the sound constifution,it is very difficult to nationalize the aceordion in its musical creation.This article investigates the creative style of "Xi Yang Xiao Gu" composed by Wang Shusheng,a famous accordion composer in China,to feel the individual characteristics in his creation.The technical features and structural analysis for the "Xi Yang Xiao Gu" make it easy to understand its artistic charm and creative features,thereby to demonstrate that the accordion not only belongs to the world,but also to China. |
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| Keywords: | creative style technique national charm |
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