| “洋为中用”方针与毛泽东对西方现代派的文化取向 |
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| 引用本文： | 吴秀明.“洋为中用”方针与毛泽东对西方现代派的文化取向[J].河南师范大学学报(哲学社会科学版),2005,32(3):104-109. |
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| 作者姓名： | 吴秀明 |
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| 作者单位： | 浙江大学,中文系,浙江,杭州,310028 |
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| 摘 要： | 西万的敌砚和封锁所唤起的民族卒土目耳心，贯穿了毛泽东及其一代人思想发展的全过程；但立足十于国的历史文化和现实国情，又使他在建国后十七年的封闭语境中超越时代的局限，大胆地提出了“洋为中用”方针，并对包括现代派文学在内的西方资本主义异质文化有选择有批判地引进借鉴。在这方面，他与列宁及其他革命领袖有颇多的相似或一致之处。当然，基于民族情感和政治立场，毛泽东更多看到了西方资产阶级文化及现代派文学的“精神侵略”的一面；他对其所体现出来的价值倾向向来比较警觉，批判态度也殊为严厉。
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| 关 键 词： | 国际背景 洋为中用 现代派 文化取向 |
| 文章编号： | 1000-2359(2005)03-0104-05 |
| 修稿时间： | 2004年12月20 |
Principle that Makes Foreign Things Serve China and Mao Zedong's Cultural Tropism of Western Modernism |
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| WU Xiu-ming.Principle that Makes Foreign Things Serve China and Mao Zedong''''s Cultural Tropism of Western Modernism[J].Journal of Henan Normal University(Philosophy and Social Sciences Edition),2005,32(3):104-109. |
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| Authors: | WU Xiu-ming |
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| Abstract: | National pride evoked by western hostility and blockage runs through the whole process of development of Mao Zedong's thoughts. Based on the historical culture and situation of china, he went beyond limitation of times, putting forward principal that makes foreign things serve China and borrowing critically such western capitalistic heterogeneity culture as modernism. He is similar to other revolutionary leader in this point. At the same time, he is aware of the spiritual invasion of western capitalistic heterogeneity culture and takes critical attitude to it. |
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| Keywords: | international background make foreign things serve China modernism cultural tropism |
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