| "打我们自己的鼓,舞我们自己的龙"——70年代的台湾新诗理论批评 |
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| 引用本文： | 古远清."打我们自己的鼓,舞我们自己的龙"——70年代的台湾新诗理论批评[J].南京师范大学文学院学报,2006(3):42-45. |
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| 作者姓名： | 古远清 |
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| 作者单位： | 中南财经政法大学,台港文学研究所,湖北,武汉,430064 |
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| 摘 要： | 70年代的台湾诗歌批评走向迥异于标榜“国际性”的60年代,其论述更加倾向本民族传统、本土文化。诗评家所做的工作是回归传统,重建民族诗风;回馈社会,关怀现实生活;拥抱大地,肯认本土意识;尊重世俗,反映大众心声;崇尚自由,鼓励多元思想,这为台湾新诗迈向多元的80年代打下了基础。
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| 关 键 词： | 现代诗 西化 本土意识 |
| 文章编号： | 1008-9853(2006)03-042-04 |
| 收稿时间： | 03 21 2006 12:00AM |
| 修稿时间： | 2006年3月21日 |
"Beat Our Drums, Perform Our Dragon Dance"——A Criticism on the Theory of Taiwan New Poetry in the 1970s |
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| Gu Yuanqing."Beat Our Drums, Perform Our Dragon Dance"——A Criticism on the Theory of Taiwan New Poetry in the 1970s[J].Journal of Chinese Language and Culture School Nanjing Normal University,2006(3):42-45. |
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| Authors: | Gu Yuanqing |
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| Institution: | Gu Yuanqing |
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| Abstract: | With an emphasis on native tradition and culture,the trend of Taiwan poetic criticism in the 1970s was entirely different from the one in the 1960s which bragging about "internationalism".For the poetic critics at that time,their work was to return to tradition and restructure native style of poem,to repay society and care for real-life,to embrace the native land and accept the native consciousness,to respect traditions and speak for the masses,and to advocate freedom and encourage multithought.And it laid a solid foundation for the Taiwan new poetry getting into the multicultural 1980s. |
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| Keywords: | modern poetry westernize native consciousness |
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