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析王国维"境界"说之"隔"与"不隔"
引用本文:赵志方.析王国维"境界"说之"隔"与"不隔"[J].襄樊职业技术学院学报,2003,2(1):50-53.
作者姓名:赵志方
作者单位:江苏省省委党校,江苏,南京,210004
摘    要:“隔”与“不隔”是王国维“境界”说理论的核心问题之一。由于《人间词话》中对此问题的表述基本是以实际批评而非理论阐述方式展开,所以要全面把握王国维理论思考及感性体悟到的“不隔”境界,仅追寻他自己的理论思路是不够的。在学本源意义上提出的“境界”说,不仅在理论来源上来自叔本华的“直观”“理念”,在感性体悟上与海德格尔对艺术本源进行探讨的诗学理论亦有相通之处。本主要从这两方面对理论及感悟的“不隔”境界作出较有覆盖力的评述。

关 键 词:王国维  “境界”说理论  《人间词话》  诗学理论  海德格尔  文学评论  艺术体验能力
文章编号:1671-914X(2003)01-0050-04
修稿时间:2002年12月9日

On "Clearness "and "Unclearness" of Wang Guo-wei's "World" Theory
ZHAO Zhi,fang.On "Clearness "and "Unclearness" of Wang Guo-wei's "World" Theory[J].Journal of Xiangfan Vocational and Technical College,2003,2(1):50-53.
Authors:ZHAO Zhi  fang
Abstract:As a key question of Wang Guo-wei's "world" theory, the two concepts"clearness"and"unclearness" can not be fully understood by Wang's practical criticism instead of theoretical representation in his Ren-Jian Ci-Hua (A Criticism of Chinese Poetry). On the other hand, Wang's "world" theory based on the idea of literature origin is theoretically derived from the notions of "intuition" and "ideal" by Schopenhauer and somewhat perceptively similar to Heidegger's poetics on art origin. And this thesis is going to comment and expound the notion of "unclearness" from the above theoretical and perceptive angle.
Keywords:world" theory  "clearness"and"unclearness"  intuition  ideal  Heidegger
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