| 从《枯木竹石图》管窥苏轼的“诗画本一律” |
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| 引用本文： | 李翠萍.从《枯木竹石图》管窥苏轼的“诗画本一律”[J].洛阳师范学院学报,2010,29(3):146-148. |
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| 作者姓名： | 李翠萍 |
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| 作者单位： | 中州大学,艺术学院,河南,郑州,450044 |
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| 摘 要： | 诗和画属于艺术的两种不同样式。在中国传统文化的浸润里,中国古代诗歌与绘画在艺术探索的进程中,走上了相融与相通之路。苏轼提出"诗画本一律"论点,认为诗画之间存在着"无形"的"相通"。文章以苏轼的《枯木竹石图》为例,结合他的诗文创作与文论,管窥中国诗画间的"无形"之似:体现在豪放之气,抒情写意,比兴手法,天工与清新等方面的创作与审美内涵。
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| 关 键 词： | 《枯木竹石图》 诗文创作 诗画本一律 |
On Sushi's View Point about "Poetry and Painting are by Nature the Same Conception" in The Painting of Withered Tree with Bamboo and Rock |
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| LI Cui-ping.On Sushi's View Point about "Poetry and Painting are by Nature the Same Conception" in The Painting of Withered Tree with Bamboo and Rock[J].Journal of Luoyang Teachers College,2010,29(3):146-148. |
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| Authors: | LI Cui-ping |
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