| 文笔之分与六朝文学观念 |
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| 引用本文： | 王齐洲.文笔之分与六朝文学观念[J].南京师范大学文学院学报,2002(2):2-12. |
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| 作者姓名： | 王齐洲 |
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| 作者单位： | 华中师范大学,文学院,湖北,武汉,430070 |
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| 摘 要： | 六朝时期的文笔之分自阮元重提以来，引起了近现代许多学者的关注和争论，至今未能形成统一认识。六朝的文笔之分只是当时人们对日益纷繁的文章制作为便于称引、学习、品评而采用的一种分类方法，其中虽有对文学审美性、抒情性、娱乐性的体认，具有强化文学本质特性认识的理论倾向，但这种认识还只是局部的而非整体性的，且并没有形成文学与非文学的自觉区分，更没有今人所谓的纯文学观念的产生。因此，六朝的文学观念在本质上仍是传统的。
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| 关 键 词： | 六朝 本质特性 抒情性 审美性 娱乐性 文笔 文学观念 纯文学 阮元 《文言说》 |
| 文章编号： | 1008-9853(2002)02-002-11 |
Classification of Writing Styles and Literary Concept of the Six Dynasties |
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| Wang Qizhou.Classification of Writing Styles and Literary Concept of the Six Dynasties[J].Journal of Chinese Language and Culture School Nanjing Normal University,2002(2):2-12. |
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| Authors: | Wang Qizhou |
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| Institution: | Wang Qizhou |
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| Abstract: | The classification of writing styles of the Six Dynasties has, since its re-mentioning by Ruan Yuan, attracted the attention of and triggered controversies among many contemporary and modern scholars, and has not formed, even today, a unified recognition. It is in fact only a kind of categorization adopted then for the convenience of quoting, studying and appraising when literary composition was becoming increasingly sophisticated. Although it shows a recognition of the aesthetics, lyricism and entertaining qualities of literature, and a theoretical tendency of enhancing the recognition of literary characteristics, such a recognition is yet still only partial and does not involve the whole. It does not form a conscious differentiation between literature and non-literature, let alone the birth of the so-called pure literary concept of today. Therefore, the literary concept of the Six Dynasties is in essence still traditional. |
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| Keywords: | writing style literary concept pure literature |
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