| 宋词女性主题的艺术表现 |
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| 引用本文： | 赵盛国.宋词女性主题的艺术表现[J].郧阳师范高等专科学校学报,2012,32(2):55-57. |
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| 作者姓名： | 赵盛国 |
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| 作者单位： | 郧阳师范高等专科学校,湖北 十堰,442000 |
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| 摘 要： | 词被视为＂诗余＂、＂小道＂,反而在儿女之情的表现上,在女性形象的刻画上,解放了思想,放开了手脚。所以我们看见许多在诗文中、在官场中正统庄重、不苟言笑的君子,一旦涉笔于词便一样地堆翠叠玉、情意绵绵。从整体上看,宋词在女性形象的刻画、儿女之情的抒发上,是文雅的成功的。这不但是对诗的题材领域的一大开拓,也是艺术表现方面的一个重要拓展。
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| 关 键 词： | 宋词 女性主题 艺术表现 |
On the Artistic Embodiment of Female Topic in the Song Poems |
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| ZHAO Sheng-guo.On the Artistic Embodiment of Female Topic in the Song Poems[J].Journal of Yunyang Teachers College,2012,32(2):55-57. |
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| Authors: | ZHAO Sheng-guo |
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| Institution: | ZHAO Sheng-guo (Yunyang Teachers’ College,Shiyan 442000,China) |
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| Abstract: | The Ci,also called poem or Xiaodao,has emancipated the hands and minds in demonstration of offspring emotions.In many poems,the authors who were serious and earnest in the office were tender and loving in writing poems.On the whole,the Song poems are elegant and successful in demonstrating female images and offspring emotions,which is an exploration in the poem subject and artistic embodiment. |
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| Keywords: | the Song Poems female topic artistic embodiment |
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