| 论《生死疲劳》的叙述分层及其意义 |
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| 引用本文： | 胡云.论《生死疲劳》的叙述分层及其意义[J].海南师范大学学报(社会科学版),2014(2):38-42. |
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| 作者姓名： | 胡云 |
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| 作者单位： | 海南师范大学文学院,海南海口571158 |
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| 摘 要： | 莫言的《生死疲劳》是一个借鉴了中国古典小说叙述方法的文本，文本中的叙述分层具有特殊的意义：叙述上的便利，跨层所营造的喜剧效果和表现人物的悲剧命运。借用叙述分层的策略来进行布局，达到了叙述艺术探索的高峰。
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| 关 键 词： | 莫言 《生死疲劳》 叙述分层 喜剧效果 |
On the Stratified Narrative in Fatigue of Life and Death and Its Significance |
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| Authors: | HU Yun |
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| Institution: | HU Yun (School of Liberal Arts, Hainan Normal University, Haikou 571158, China) |
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| Abstract: | Mo Yan＇ s Fatigue of Life and Death, a novel modeled upon the narrative method of traditional Chi- nese fiction, embraces a stratified narrative of special significance, as is evident in the convenience of narrative, the cross-layer comic effects, and the exhibition of the tragic fate of characters. Organized in line with the strategy of stratified narrative, Fatigue of Life and Death has attained the climax in its pursuit of narrative art. |
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| Keywords: | Mo Yan Fatigue of Life and Death stratified narrative comic effects |
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