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中国新诗语言节奏论
引用本文:许霆.中国新诗语言节奏论[J].常熟理工学院学报,2008,22(1):27-34.
作者姓名:许霆
作者单位:常熟理工学院,人文社会科学系,江苏,常熟,215500
摘    要:新诗的语言节奏是声音大致相等的时间段落组合后形成的有规律的起伏。新诗语言节奏包含多个层次,是由一批最小的发音单位组合并向外发展而成的一个有秩序的统一体。新诗格律节奏构成的最基本节奏单元是音顿和意顿;向外发展形成两种建行方式——音顿连续排列建行和意顿对称排列建行;再向外发展就形成构节构篇的形式化节奏体系和口语化节奏体系,其基本构形原则是“句的均齐和节的匀称”,由此形成新格律诗体丰富的具体格式。

关 键 词:节奏  新格律诗  诗行
文章编号:1008-2794(2008)01-0027-08
修稿时间:2007年11月8日

On Poetic Rhythms of China's New Metrical Poetry
XU Ting.On Poetic Rhythms of China's New Metrical Poetry[J].Journal of Changshu Institute of Technology,2008,22(1):27-34.
Authors:XU Ting
Institution:XU Ting (Department of Humanities and Social Sciences, Changshu Institute of Technology, Changshu 215500, China)
Abstract:Poetic rhythms of New Metrical Poetry are the regular arrangement of time units of the same sound intervals,which comprise several levels: the most basic rhythmical unit is sound caesura and semantic caesura.Then they develop themselves into two patterns of constructing lines in sound sequential arrangement and in semantic symmetrical arrangement respectively.The former further develops into stanzas and poems in a formalized rhythmical system and the latter in a colloquial rhythmical system.Their basic form constructing principle is "regularity in sentences and symmetry in stanzas",thus forming the various patterns of New Metrical Poetry.
Keywords:rhythm  New Metrical Poetry  poetic line
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