| 论音乐的演奏意念 |
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| 引用本文： | 黄尚宝,孔繁昕.论音乐的演奏意念[J].甘肃高师学报,2008,13(6):118-121. |
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| 作者姓名： | 黄尚宝 孔繁昕 |
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| 作者单位： | 1. 合作民族师范高等专科学校,艺术系,甘肃,合作,747000
2. 西北民族大学音乐学院,甘肃,兰州,730030 |
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| 摘 要： | 人类的一切有目的的行动都是以意念为前提所产生的。在一切表演活动中,意念是以意、意象、意境为前提的,是以演奏者的主观意识对客观世界的审美体验为前提的,音乐演奏需要演奏者对客观世界的审美体验进行提炼和再创造,表演出新的带有演奏者自己的“烙印”的音乐艺术。
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| 关 键 词： | 音乐 演奏 精神 演奏意念 |
Discussion on Ideas of Musical Performance |
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| HUANG Shang-bao,KONG Fan-xin.Discussion on Ideas of Musical Performance[J].Journal of Gansu Normal College,2008,13(6):118-121. |
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| Authors: | HUANG Shang-bao KONG Fan-xin |
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| Institution: | HUA NG Shang--bao KONG Fan-xin ( Art Department ,Hezuo Minoritiies Teachers College, Hezuo Gansu 747000 )( College of Music,Northwest University for Nalionalities,Lanzhou Gansu 730030) |
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| Abstract: | Ideas are precondition of human being’s all intentional activities,In every performance,ideas are usually based upon idea,image and circumstance of idea,It is premised on performer’s subjective consciousness about objective world in aesthetic sense,Musical performance requires performers to show music with one’s own features by abstracting and recreating his or her a esthetic experience about objective world. |
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| Keywords: | musiic musical performance spirit performance idea |
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