| 论唐代音乐与辽代音乐之关系 |
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| 引用本文： | 董艺.论唐代音乐与辽代音乐之关系[J].内蒙古师范大学学报(哲学社会科学版),2009,38(3):127-128. |
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| 作者姓名： | 董艺 |
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| 作者单位： | 内蒙古师范大学,图书馆,内蒙古,呼和浩特,010022 |
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| 摘 要： | 唐末五代，很多文人士子及乐师、工匠流入契丹国，大辽文化勃然兴起。辽代的宫廷音乐，大部分继承了唐代音乐。辽代音乐的定律、乐器分类法、雅乐名称、燕乐等都承袭唐朝。这种“宗唐”现象不仅是音乐风格问题，而是辽代胡汉文化相争多年之后，汉文化占据主导地位的一种体现。
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| 关 键 词： | 唐代音乐 辽代音乐 关系 |
RELATIONSHIP BETWEEN MUSIC IN TANG AND LIAO DYNASTIES |
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| DONG Yi.RELATIONSHIP BETWEEN MUSIC IN TANG AND LIAO DYNASTIES[J].Journal of Inner Mongolia Normal University (Philosophy & Social Science),2009,38(3):127-128. |
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| Authors: | DONG Yi |
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| Institution: | DONG Yi (Library of Inner Mongolia Normal University, Hohhot, Inner Mongolia, China 010022 ) |
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| Abstract: | In the end of Tang Dynasty and the Five Dynasties, many scholars, musicians and craftsmen swarmed into Khitan State and as a result, Great Liao culture prospered. Palace music in Liao Dynasty inherited music of Tang Dynasty in music law, musical instruments, names for ceremonical music and banquet music, etc. Such a phenomenon does not only exist in music style but it is also an embodiment of Han postion after the long struggle between Han and Hu culture in Liao Dynasty. |
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| Keywords: | music in Tang Dynasty music in Liao Dynasty relationship culture occupying a dominant |
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