| 论"作者的读者身份" |
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| 引用本文： | 黎保荣.论"作者的读者身份"[J].山西师大学报,2007,34(5):93-96. |
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| 作者姓名： | 黎保荣 |
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| 作者单位： | 暨南大学中文系 广州510632 |
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| 摘 要： | 接受美学提出了很多创造性概念,但忽略了"作者的读者身份"问题,因此很有必要从中西文论的历史梳理中提出其概念,并论述其内外涵义。"作者的读者身份"的核心、内在涵义,就是作者在创作过程中的读者身份,就阅读与创作的关系来说,它有同时性、同质性、异构性和严格性等几方面的特征;它的外在涵义,是创作之后或非创作状态的作者的读者身份,特别是作者阅读自己作品时的理性和感性层面。了解作者的读者身份,对研究接受美学和创作美学都具有深刻的意义。
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| 关 键 词： | 接受美学 中西文论 作者的读者身份 |
| 文章编号： | 1001-5957（2007）05-0093-04 |
| 修稿时间： | 2007-04-17 |
On "Writers as Readers" |
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| LI Bao-rong.On "Writers as Readers"[J].Journal of Shanxi Teachers University,2007,34(5):93-96. |
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| Authors: | LI Bao-rong |
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| Institution: | Department of Chinese Language and Literature, Jinan University, Guangzhou, Guangdong 510632 China |
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| Abstract: | Theory of receptive aesthetics has put forward many creative concepts.However,it has ignored the problem of writers as readers.Therefore,it is necessary to put forward this concept and discuss its internal and external implications by sorting out the relevant Chinese and Western literature.The core of writers as readers lies in the writer's identity as readers.In terms of the relationship between reading and writing,it has the characteristics of simultaneity,identical quality as well as different structure and strictness.The external implication is the reader's identity of the writer when he has finished the composition or when he was not in the state of writing.It is the writer's rationality and perception especially when he was reading his own works.It is of great significance to know the writer's identity as readers if we aim to do research on receptive aesthetics and creative aesthetics. |
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| Keywords: | receptive aesthetics Chinese and Western literature writers as readers |
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